syn·site
in contemporary art terms: a "syn-site" is a conceptual space that encapsulates a multitude of experiences, observations, and interactions across various physical and digital locales. It is a dynamic, non-singular site that challenges conventional notions of place and situates itself within the discourse of network aesthetics. Drawing upon the theories of Robert Smithson, it re-works the concept of "site" to reflect the complexity and plurality of contemporary life and artistic practice. It is an artwork and a network, a space and a memory, an assertive threshold within the syntax of site. It is both a product and a critique of the interconnected, networked nature of the contemporary world, and serves as a tool for artists to explore the entanglements of the specific and the abstract, the internal and external, the actual and the virtual.
in contemporary art terms: a "syn-site" is a conceptual space that encapsulates a multitude of experiences, observations, and interactions across various physical and digital locales. It is a dynamic, non-singular site that challenges conventional notions of place and situates itself within the discourse of network aesthetics. Drawing upon the theories of Robert Smithson, it re-works the concept of "site" to reflect the complexity and plurality of contemporary life and artistic practice. It is an artwork and a network, a space and a memory, an assertive threshold within the syntax of site. It is both a product and a critique of the interconnected, networked nature of the contemporary world, and serves as a tool for artists to explore the entanglements of the specific and the abstract, the internal and external, the actual and the virtual.
SYN (along with, at the same time | from Greek SYN, with | ~SYNTHETIC) + SITE (N: point of event, occupied space, internet address; V: to place in position | from Latin SITUS, location, idleness, forgetfulness | ~WEBSITE ¬cite ¬sight), cf. SITE/NON-SITE (from Robert Smithson, A PROVISIONAL THEORY OF NONSITES, 1968)
"Cloud computing is the full spectrum deployment of computational thinking to the world, and the internet makes of these clouds a single, vast, planetary weather system."
"Cloud computing is the full spectrum deployment of computational thinking to the world, and the internet makes of these clouds a single, vast, planetary weather system."
"Cloud computing is the full spectrum deployment of computational thinking to the world, and the internet makes of these clouds a single, vast, planetary weather system."
"Computer vision and artificial intelligence have become ubiquitous. We are now living in a world of planetary-scale 'Smart Cities' that track license plates, cell phone signals, faces, and pedestrian movements; self-driving cars autonomously navigate urban environments; robotic factories use computer vision for quality assurance and logistics. The works in this exhibition seek to provide a small glimpse into the workings of these platforms, and into the underlying data that structures how machines 'perceive' images, language, landscapes, and people."
"Computer vision and artificial intelligence have become ubiquitous. We are now living in a world of planetary-scale 'Smart Cities' that track license plates, cell phone signals, faces, and pedestrian movements; self-driving cars autonomously navigate urban environments; robotic factories use computer vision for quality assurance and logistics. The works in this exhibition seek to provide a small glimpse into the workings of these platforms, and into the underlying data that structures how machines 'perceive' images, language, landscapes, and people."
"Computer vision and artificial intelligence have become ubiquitous. We are now living in a world of planetary-scale 'Smart Cities' that track license plates, cell phone signals, faces, and pedestrian movements; self-driving cars autonomously navigate urban environments; robotic factories use computer vision for quality assurance and logistics. The works in this exhibition seek to provide a small glimpse into the workings of these platforms, and into the underlying data that structures how machines 'perceive' images, language, landscapes, and people."
