syn·site

sin.sīt
noun, verb

1: BLIP. Any experience, exchange, environment, observation, object, or relationship of objects crystallized in a networked space — whether actual or virtual — distinguished by an equation of universal and specific inputs. » Gazing into the hyper-saturated yellow-green pool of soggy, disintegrated oak pollen, she found herself briefly immersed in a SYN-SITE of her childhood home and #ADFF2F.

2: COMPOUNDING. A compounding reconfiguration of distilled fragments — fragments of selves, sites, and associations. It activates at the intersection of the specific and the abstract, the internal and external, the actual and the virtual, the organic and the synthetic. It's at once an artwork and a network, at once a space and a memory. Realized, it approximates a crystallized, collaborative consciousness. » John aspires to create a grand web-based SYN-SITE, an interactive sculpture park that exists as a conceptual re-working of the state of Texas.

< ORIGIN > The SITE/NON-SITE theories of Robert Smithson, revisited in light of today's NETWORK AESTHETICS. < CONTRA > In both its blip and compounding manifestations, SYN-SITE disrupts DRIFT

1: BLIP. Any experience, exchange, environment, observation, object, or relationship of objects crystallized in a networked space — whether actual or virtual — distinguished by an equation of universal and specific inputs. » Gazing into the hyper-saturated yellow-green pool of soggy, disintegrated oak pollen, she found herself briefly immersed in a SYN-SITE of her childhood home and #ADFF2F.

2: COMPOUNDING. A compounding reconfiguration of distilled fragments — fragments of selves, sites, and associations. It activates at the intersection of the specific and the abstract, the internal and external, the actual and the virtual, the organic and the synthetic. It's at once an artwork and a network, at once a space and a memory. Realized, it approximates a crystallized, collaborative consciousness. » John aspires to create a grand web-based SYN-SITE, an interactive sculpture park that exists as a conceptual re-working of the state of Texas.

< ORIGIN > The SITE/NON-SITE theories of Robert Smithson, revisited in light of today's NETWORK AESTHETICS. < CONTRA > In both its blip and compounding manifestations, SYN-SITE disrupts DRIFT

SYN (along with, at the same time | from Greek SYN, with | ~SYNTHETIC) + SITE (N: point of event, occupied space, internet address; V: to place in position | from Latin SITUS, location, idleness, forgetfulness | ~WEBSITE ¬cite ¬sight), cf. SITE/NON-SITE (from Robert Smithson, A PROVISIONAL THEORY OF NONSITES, 1968)

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"For reference, Corbusier’s intellectual colors remain: a light pink (Pantone 468U); a mid pink (Pantone 728U); a dark pink (Pantone 471U); a light grey (Pantone 429U); a dark grey (Pantone 1817U); a mid brown (Pantone 432U); a dark brown (Pantone black 5U); a light blue (Pantone 549U); a mid green (Pantone 577U); a 100% black; and, of course, a pure white."

— via http://www.servinglibrary.org/journal/11/color-swatches

"For reference, Corbusier’s intellectual colors remain: a light pink (Pantone 468U); a mid pink (Pantone 728U); a dark pink (Pantone 471U); a light grey (Pantone 429U); a dark grey (Pantone 1817U); a mid brown (Pantone 432U); a dark brown (Pantone black 5U); a light blue (Pantone 549U); a mid green (Pantone 577U); a 100% black; and, of course, a pure white."

— via http://www.servinglibrary.org/journal/11/color-swatches

"For reference, Corbusier’s intellectual colors remain: a light pink (Pantone 468U); a mid pink (Pantone 728U); a dark pink (Pantone 471U); a light grey (Pantone 429U); a dark grey (Pantone 1817U); a mid brown (Pantone 432U); a dark brown (Pantone black 5U); a light blue (Pantone 549U); a mid green (Pantone 577U); a 100% black; and, of course, a pure white."

— via http://www.servinglibrary.org/journal/11/color-swatches

color_pink color_pink color_pink color_pink color_grey color_grey color_grey color_grey color_green color_green color_green color_green