syn·site

sin.sīt
noun, verb

1: BLIP. Any experience, exchange, environment, observation, object, or relationship of objects crystallized in a networked space — whether actual or virtual — distinguished by an equation of universal and specific inputs. » Gazing into the hyper-saturated yellow-green pool of soggy, disintegrated oak pollen, she found herself briefly immersed in a SYN-SITE of her childhood home and #ADFF2F.

2: COMPOUNDING. A compounding reconfiguration of distilled fragments — fragments of selves, sites, and associations. It activates at the intersection of the specific and the abstract, the internal and external, the actual and the virtual, the organic and the synthetic. It's at once an artwork and a network, at once a space and a memory. Realized, it approximates a crystallized, collaborative consciousness. » John aspires to create a grand web-based SYN-SITE, an interactive sculpture park that exists as a conceptual re-working of the state of Texas.

< ORIGIN > The SITE/NON-SITE theories of Robert Smithson, revisited in light of today's NETWORK AESTHETICS. < CONTRA > In both its blip and compounding manifestations, SYN-SITE disrupts DRIFT

1: BLIP. Any experience, exchange, environment, observation, object, or relationship of objects crystallized in a networked space — whether actual or virtual — distinguished by an equation of universal and specific inputs. » Gazing into the hyper-saturated yellow-green pool of soggy, disintegrated oak pollen, she found herself briefly immersed in a SYN-SITE of her childhood home and #ADFF2F.

2: COMPOUNDING. A compounding reconfiguration of distilled fragments — fragments of selves, sites, and associations. It activates at the intersection of the specific and the abstract, the internal and external, the actual and the virtual, the organic and the synthetic. It's at once an artwork and a network, at once a space and a memory. Realized, it approximates a crystallized, collaborative consciousness. » John aspires to create a grand web-based SYN-SITE, an interactive sculpture park that exists as a conceptual re-working of the state of Texas.

< ORIGIN > The SITE/NON-SITE theories of Robert Smithson, revisited in light of today's NETWORK AESTHETICS. < CONTRA > In both its blip and compounding manifestations, SYN-SITE disrupts DRIFT

SYN (along with, at the same time | from Greek SYN, with | ~SYNTHETIC) + SITE (N: point of event, occupied space, internet address; V: to place in position | from Latin SITUS, location, idleness, forgetfulness | ~WEBSITE ¬cite ¬sight), cf. SITE/NON-SITE (from Robert Smithson, A PROVISIONAL THEORY OF NONSITES, 1968)

All rewritings, whatever their intention, reflect a certain ideology and a poetics … the study of the manipulation processes of literature as exemplified by translation can help us towards a greater awareness of the world in which we live.

All rewritings, whatever their intention, reflect a certain ideology and a poetics … the study of the manipulation processes of literature as exemplified by translation can help us towards a greater awareness of the world in which we live.

All rewritings, whatever their intention, reflect a certain ideology and a poetics … the study of the manipulation processes of literature as exemplified by translation can help us towards a greater awareness of the world in which we live.

A dictionary begins when it no longer gives the meaning of words, but their tasks. Thus formless is not only an adjective having a given meaning, but a term that serves to bring things down in the world, generally requiring that each thing have its form. What it designates has no rights in any sense and gets itself squashed everywhere, like a spider or an earthworm. In fact, for academic men to be happy, the universe would have to take shape. All of philosophy has no other goal: it is a matter of giving a frock coat to what is, a mathematical frock coat. On the other hand, affirming that the universe resembles nothing and is only formless amounts to saying that the universe is something like a spider or spit.

A dictionary begins when it no longer gives the meaning of words, but their tasks. Thus formless is not only an adjective having a given meaning, but a term that serves to bring things down in the world, generally requiring that each thing have its form. What it designates has no rights in any sense and gets itself squashed everywhere, like a spider or an earthworm. In fact, for academic men to be happy, the universe would have to take shape. All of philosophy has no other goal: it is a matter of giving a frock coat to what is, a mathematical frock coat. On the other hand, affirming that the universe resembles nothing and is only formless amounts to saying that the universe is something like a spider or spit.

A dictionary begins when it no longer gives the meaning of words, but their tasks. Thus formless is not only an adjective having a given meaning, but a term that serves to bring things down in the world, generally requiring that each thing have its form. What it designates has no rights in any sense and gets itself squashed everywhere, like a spider or an earthworm. In fact, for academic men to be happy, the universe would have to take shape. All of philosophy has no other goal: it is a matter of giving a frock coat to what is, a mathematical frock coat. On the other hand, affirming that the universe resembles nothing and is only formless amounts to saying that the universe is something like a spider or spit.

We don’t walk down the street saying to ourselves: ‘As I walk down the street, comma, I contemplate the question of faith, or adultery, or x or y or z.’

We don’t walk down the street saying to ourselves: ‘As I walk down the street, comma, I contemplate the question of faith, or adultery, or x or y or z.’

We don’t walk down the street saying to ourselves: ‘As I walk down the street, comma, I contemplate the question of faith, or adultery, or x or y or z.’