syn·site
in dictionary terms: (noun): an entangled, non-singular locus of experience, exchange, environment, observation, objects, or relationships, crystallized in a networked space, actual or virtual, marked by simultaneity, plurality, and potentiality. (verb): the act of synchronizing or integrating multiple disparate locations or concepts into a unified, complex space. This process involves the recognition and active engagement with the overlapping, entangled realities of these sites, effectively creating a new, dynamic, and non-singular site. The usage of "site" as a verb in this context is an extension of its standard usage to refer to positioning or placing something, but here it refers to positioning or placing within a conceptual, multi-layered space.
in dictionary terms: (noun): an entangled, non-singular locus of experience, exchange, environment, observation, objects, or relationships, crystallized in a networked space, actual or virtual, marked by simultaneity, plurality, and potentiality. (verb): the act of synchronizing or integrating multiple disparate locations or concepts into a unified, complex space. This process involves the recognition and active engagement with the overlapping, entangled realities of these sites, effectively creating a new, dynamic, and non-singular site. The usage of "site" as a verb in this context is an extension of its standard usage to refer to positioning or placing something, but here it refers to positioning or placing within a conceptual, multi-layered space.
SYN (along with, at the same time | from Greek SYN, with | ~SYNTHETIC) + SITE (N: point of event, occupied space, internet address; V: to place in position | from Latin SITUS, location, idleness, forgetfulness | ~WEBSITE ¬cite ¬sight), cf. SITE/NON-SITE (from Robert Smithson, A PROVISIONAL THEORY OF NONSITES, 1968)
A Glitch Feminist acknowledges the value of visuality, and the revolutionary role that digital practice has in expanding the construction, deconstruction, and re-presentation of the female-identifying corpus. We acknowledge that the rigidity of digital dualism needs to be retired, as it plays into binaries of real/virtual that parallel the rampantly socialized figuration of male/female.
A Glitch Feminist acknowledges the value of visuality, and the revolutionary role that digital practice has in expanding the construction, deconstruction, and re-presentation of the female-identifying corpus. We acknowledge that the rigidity of digital dualism needs to be retired, as it plays into binaries of real/virtual that parallel the rampantly socialized figuration of male/female.
A Glitch Feminist acknowledges the value of visuality, and the revolutionary role that digital practice has in expanding the construction, deconstruction, and re-presentation of the female-identifying corpus. We acknowledge that the rigidity of digital dualism needs to be retired, as it plays into binaries of real/virtual that parallel the rampantly socialized figuration of male/female.
Alfred Korzybski remarked that "the map is not the territory" and that "the word is not the thing", encapsulating his view that an abstraction derived from something, or a reaction to it, is not the thing itself.
Alfred Korzybski remarked that "the map is not the territory" and that "the word is not the thing", encapsulating his view that an abstraction derived from something, or a reaction to it, is not the thing itself.
Alfred Korzybski remarked that "the map is not the territory" and that "the word is not the thing", encapsulating his view that an abstraction derived from something, or a reaction to it, is not the thing itself.
It is now less and less necessary for the writer to invent the fictional content of his novel. The fiction is already there. The writer’s task is to invent the reality.
It is now less and less necessary for the writer to invent the fictional content of his novel. The fiction is already there. The writer’s task is to invent the reality.
It is now less and less necessary for the writer to invent the fictional content of his novel. The fiction is already there. The writer’s task is to invent the reality.
