syn·site

sin.sīt

noun, verb

( a ) neologism: syn-site is a neologism for a contemporary understanding of site as entangled and mutable. It offers legs (utility) for both a part (JF) and a whole (non-zero others).
( b ) gesamtkunstwerk: syn-site is one person's act of tilting at ~~windmills~~ syn-sites as a gesamtkunstwerk.
( c ) smeerp¹: syn-site is calling-a-nonsite-a-smeerp.
( d ) smeerp²: non-site, in turn, was calling-synecdoche-a-smeerp.
( e ) smeerp³: calling a rabbit a smeerp is a problem.
( f ) ...is a stretch...
( g ) ...but art is reaching, stretching, gesturing; is making connections to create constellations.
( h ) some ~~combo~~ synthesis
( i ) related yet sublated-or-other: parasite, hypersite, hyperobject, nonspace, nonplace, site/non-site, synsight, syncite, knotsite, web-site, metaverse, smeerp, tangle.

( a ) neologism: syn-site is a neologism for a contemporary understanding of site as entangled and mutable. It offers legs (utility) for both a part (JF) and a whole (non-zero others).
( b ) gesamtkunstwerk: syn-site is one person's act of tilting at ~~windmills~~ syn-sites as a gesamtkunstwerk.
( c ) smeerp¹: syn-site is calling-a-nonsite-a-smeerp.
( d ) smeerp²: non-site, in turn, was calling-synecdoche-a-smeerp.
( e ) smeerp³: calling a rabbit a smeerp is a problem.
( f ) ...is a stretch...
( g ) ...but art is reaching, stretching, gesturing; is making connections to create constellations.
( h ) some ~~combo~~ synthesis
( i ) related yet sublated-or-other: parasite, hypersite, hyperobject, nonspace, nonplace, site/non-site, synsight, syncite, knotsite, web-site, metaverse, smeerp, tangle.

SYN (along with, at the same time | from Greek SYN, with | ~SYNTHETIC) + SITE (N: point of event, occupied space, internet address; V: to place in position | from Latin SITUS, location, idleness, forgetfulness | ~WEBSITE ¬cite ¬sight), cf. SITE/NON-SITE (from Robert Smithson, A PROVISIONAL THEORY OF NONSITES, 1968)

color_cyan color_cyan color_cyan color_cyan

"For reference, Corbusier’s intellectual colors remain: a light pink (Pantone 468U); a mid pink (Pantone 728U); a dark pink (Pantone 471U); a light grey (Pantone 429U); a dark grey (Pantone 1817U); a mid brown (Pantone 432U); a dark brown (Pantone black 5U); a light blue (Pantone 549U); a mid green (Pantone 577U); a 100% black; and, of course, a pure white."

— via http://www.servinglibrary.org/journal/11/color-swatches

"For reference, Corbusier’s intellectual colors remain: a light pink (Pantone 468U); a mid pink (Pantone 728U); a dark pink (Pantone 471U); a light grey (Pantone 429U); a dark grey (Pantone 1817U); a mid brown (Pantone 432U); a dark brown (Pantone black 5U); a light blue (Pantone 549U); a mid green (Pantone 577U); a 100% black; and, of course, a pure white."

— via http://www.servinglibrary.org/journal/11/color-swatches

"For reference, Corbusier’s intellectual colors remain: a light pink (Pantone 468U); a mid pink (Pantone 728U); a dark pink (Pantone 471U); a light grey (Pantone 429U); a dark grey (Pantone 1817U); a mid brown (Pantone 432U); a dark brown (Pantone black 5U); a light blue (Pantone 549U); a mid green (Pantone 577U); a 100% black; and, of course, a pure white."

— via http://www.servinglibrary.org/journal/11/color-swatches

color_grey color_grey color_grey color_grey

color_green color_green color_green color_green

color_pink color_pink color_pink color_pink