syn·site

sin.sīt
noun, verb

an amorphous situating.
an entangled situating.

—naughty-site–knotty-sight—cited-knot–sighted-naught—naughty-cited-sight–knotty-cited-site—sited-cited-naughty-knot–knotted-knighted-sited-naught—sighted-knot-cited–sited-not-naught—

this situating, pulled taut*.
this situating, presented.
this situating, released.
that situating, re-presented.
that situating, represented.
that situating, situated.

an amorphous situating.
an entangled situating.

—naughty-site–knotty-sight—cited-knot–sighted-naught—naughty-cited-sight–knotty-cited-site—sited-cited-naughty-knot–knotted-knighted-sited-naught—sighted-knot-cited–sited-not-naught—

this situating, pulled taut*.
this situating, presented.
this situating, released.
that situating, re-presented.
that situating, represented.
that situating, situated.

SYN (along with, at the same time | from Greek SYN, with | ~SYNTHETIC) + SITE (N: point of event, occupied space, internet address; V: to place in position | from Latin SITUS, location, idleness, forgetfulness | ~WEBSITE ¬cite ¬sight), cf. SITE/NON-SITE (from Robert Smithson, A PROVISIONAL THEORY OF NONSITES, 1968)

we are no longer in the age of gaining information, we are in the age of connecting knowledge.

we are no longer in the age of gaining information, we are in the age of connecting knowledge.

we are no longer in the age of gaining information, we are in the age of connecting knowledge.

...divination ... constitutes a space in which cognitive structures are transformed and new relations are generated in and between the fields of the human body (senses, emotions), the social body and the cosmos.

...divination ... constitutes a space in which cognitive structures are transformed and new relations are generated in and between the fields of the human body (senses, emotions), the social body and the cosmos.

...divination ... constitutes a space in which cognitive structures are transformed and new relations are generated in and between the fields of the human body (senses, emotions), the social body and the cosmos.

Take a walk down a city street ... You have seen a person cut in two by a car, bits and pieces of street signs and advertisements, reflections from shop windows – a montage of fragments ... Consciousness is a cut-up; life is a cut-up.

Take a walk down a city street ... You have seen a person cut in two by a car, bits and pieces of street signs and advertisements, reflections from shop windows – a montage of fragments ... Consciousness is a cut-up; life is a cut-up.

Take a walk down a city street ... You have seen a person cut in two by a car, bits and pieces of street signs and advertisements, reflections from shop windows – a montage of fragments ... Consciousness is a cut-up; life is a cut-up.

apophenia...drawing connections and conclusions from sources with no direct connection other than their indissoluble perceptual simultaneity. This apophenia, a seeing of patterns where there is actually only noise, is neither a failure of imagination nor a virtue, but rather an unavoidable qualification of our predicament and its (only partially decipherable) aftermath.

apophenia...drawing connections and conclusions from sources with no direct connection other than their indissoluble perceptual simultaneity. This apophenia, a seeing of patterns where there is actually only noise, is neither a failure of imagination nor a virtue, but rather an unavoidable qualification of our predicament and its (only partially decipherable) aftermath.

apophenia...drawing connections and conclusions from sources with no direct connection other than their indissoluble perceptual simultaneity. This apophenia, a seeing of patterns where there is actually only noise, is neither a failure of imagination nor a virtue, but rather an unavoidable qualification of our predicament and its (only partially decipherable) aftermath.

What is Imagination?
1. The combining faculty [which] seizes points in common, between subjects having no apparent connection...
2. Imagination is the Discovering Faculty, pre-eminently. It is that which penetrates into the unseen worlds around us...

What is Imagination?
1. The combining faculty [which] seizes points in common, between subjects having no apparent connection...
2. Imagination is the Discovering Faculty, pre-eminently. It is that which penetrates into the unseen worlds around us...

What is Imagination?
1. The combining faculty [which] seizes points in common, between subjects having no apparent connection...
2. Imagination is the Discovering Faculty, pre-eminently. It is that which penetrates into the unseen worlds around us...

The line is the interface between language and the world. The line is language held taut, and someone has to be doing the work of holding the line taut. [...] Language is always situated in social and physical reality.

The line is the interface between language and the world. The line is language held taut, and someone has to be doing the work of holding the line taut. [...] Language is always situated in social and physical reality.

The line is the interface between language and the world. The line is language held taut, and someone has to be doing the work of holding the line taut. [...] Language is always situated in social and physical reality.

The Analytical Engine weaves algebraic patterns just as the Jacquard loom weaves flowers and leaves.

The Analytical Engine weaves algebraic patterns just as the Jacquard loom weaves flowers and leaves.

The Analytical Engine weaves algebraic patterns just as the Jacquard loom weaves flowers and leaves.

The loam—a residue sometimes hard, mostly soft—when expressed via the rampant acceleration of data proliferation, circulation and exchange, is a rather precious, albeit strange, entity. Vibrant and disruptive, flowing and yet at times steadfast, both segment and infinite plane, it names a kind of dynamic discourse, closer to that of a living, breathing, shape-shifting mesh. Its connections are self-organising complexities, which require the practical activities of distributed intelligences.

The loam—a residue sometimes hard, mostly soft—when expressed via the rampant acceleration of data proliferation, circulation and exchange, is a rather precious, albeit strange, entity. Vibrant and disruptive, flowing and yet at times steadfast, both segment and infinite plane, it names a kind of dynamic discourse, closer to that of a living, breathing, shape-shifting mesh. Its connections are self-organising complexities, which require the practical activities of distributed intelligences.

The loam—a residue sometimes hard, mostly soft—when expressed via the rampant acceleration of data proliferation, circulation and exchange, is a rather precious, albeit strange, entity. Vibrant and disruptive, flowing and yet at times steadfast, both segment and infinite plane, it names a kind of dynamic discourse, closer to that of a living, breathing, shape-shifting mesh. Its connections are self-organising complexities, which require the practical activities of distributed intelligences.

we have no original because there is no original. A copy of Heaney’s last words exists on his own phone. It exists on his wife’s phone. It likely exists on a server somewhere, an archive maintained by the cell provider, a stash no one will ever read. But the wires that carried it; the air through which it shimmered; the switches that transfigured it between kinds of invisible light: They have already forgotten it

we have no original because there is no original. A copy of Heaney’s last words exists on his own phone. It exists on his wife’s phone. It likely exists on a server somewhere, an archive maintained by the cell provider, a stash no one will ever read. But the wires that carried it; the air through which it shimmered; the switches that transfigured it between kinds of invisible light: They have already forgotten it

we have no original because there is no original. A copy of Heaney’s last words exists on his own phone. It exists on his wife’s phone. It likely exists on a server somewhere, an archive maintained by the cell provider, a stash no one will ever read. But the wires that carried it; the air through which it shimmered; the switches that transfigured it between kinds of invisible light: They have already forgotten it

..."cut-up" (we would now say "remix") culture is discussed in which digital technologies provide a platform for individuals to respond to authoritarian top-down messaging/massaging. Remixes become "a critical weapon against spectacular society." Bukatman discusses William S. Burroughs, Jean Baudrillard and Don Delillo (specifically the novel White Noise) here; and he goes on to argue, "The scrambling of language defamiliarizes it, revealing its pervasiveness and operant illusions."

..."cut-up" (we would now say "remix") culture is discussed in which digital technologies provide a platform for individuals to respond to authoritarian top-down messaging/massaging. Remixes become "a critical weapon against spectacular society." Bukatman discusses William S. Burroughs, Jean Baudrillard and Don Delillo (specifically the novel White Noise) here; and he goes on to argue, "The scrambling of language defamiliarizes it, revealing its pervasiveness and operant illusions."

..."cut-up" (we would now say "remix") culture is discussed in which digital technologies provide a platform for individuals to respond to authoritarian top-down messaging/massaging. Remixes become "a critical weapon against spectacular society." Bukatman discusses William S. Burroughs, Jean Baudrillard and Don Delillo (specifically the novel White Noise) here; and he goes on to argue, "The scrambling of language defamiliarizes it, revealing its pervasiveness and operant illusions."

A line is a dot that went for a walk.

A drawing is a line that went for a walk.

A line is a dot that went for a walk.

A drawing is a line that went for a walk.

A line is a dot that went for a walk.

A drawing is a line that went for a walk.