syn·site
1: AN ENTANGLED, NON-SINGULAR SITE. A site of simultaneity spanning disparate sites, marked by plurality, potentiality, and simultaneity.
2: ASSEMBLED BITS WITHIN THE ENTANGLED SITE. An ever-cleaving assemblage of bits within the aforementioned entangled site.
3: SYNTAX AS SYN-SITE. A verb-noun concatenation—process embedded in, affecting, and affected by site—with an assertive threshold calling attention to itself between the two. To understand this hybridity of site is to see the hyphenated construct itself as a tool—to see in its syllabic nodes and articulated connection a self-aware mirage.
< ORIGIN > The SITE/NON-SITE construct of Robert Smithson, sublated.
1: AN ENTANGLED, NON-SINGULAR SITE. A site of simultaneity spanning disparate sites, marked by plurality, potentiality, and simultaneity.
2: ASSEMBLED BITS WITHIN THE ENTANGLED SITE. An ever-cleaving assemblage of bits within the aforementioned entangled site.
3: SYNTAX AS SYN-SITE. A verb-noun concatenation—process embedded in, affecting, and affected by site—with an assertive threshold calling attention to itself between the two. To understand this hybridity of site is to see the hyphenated construct itself as a tool—to see in its syllabic nodes and articulated connection a self-aware mirage.
< ORIGIN > The SITE/NON-SITE construct of Robert Smithson, sublated.
SYN (along with, at the same time | from Greek SYN, with | ~SYNTHETIC) + SITE (N: point of event, occupied space, internet address; V: to place in position | from Latin SITUS, location, idleness, forgetfulness | ~WEBSITE ¬cite ¬sight), cf. SITE/NON-SITE (from Robert Smithson, A PROVISIONAL THEORY OF NONSITES, 1968)
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"For reference, Corbusier’s intellectual colors remain: a light pink (Pantone 468U); a mid pink (Pantone 728U); a dark pink (Pantone 471U); a light grey (Pantone 429U); a dark grey (Pantone 1817U); a mid brown (Pantone 432U); a dark brown (Pantone black 5U); a light blue (Pantone 549U); a mid green (Pantone 577U); a 100% black; and, of course, a pure white."
— via http://www.servinglibrary.org/journal/11/color-swatches
"For reference, Corbusier’s intellectual colors remain: a light pink (Pantone 468U); a mid pink (Pantone 728U); a dark pink (Pantone 471U); a light grey (Pantone 429U); a dark grey (Pantone 1817U); a mid brown (Pantone 432U); a dark brown (Pantone black 5U); a light blue (Pantone 549U); a mid green (Pantone 577U); a 100% black; and, of course, a pure white."
— via http://www.servinglibrary.org/journal/11/color-swatches
"For reference, Corbusier’s intellectual colors remain: a light pink (Pantone 468U); a mid pink (Pantone 728U); a dark pink (Pantone 471U); a light grey (Pantone 429U); a dark grey (Pantone 1817U); a mid brown (Pantone 432U); a dark brown (Pantone black 5U); a light blue (Pantone 549U); a mid green (Pantone 577U); a 100% black; and, of course, a pure white."
— via http://www.servinglibrary.org/journal/11/color-swatches
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